Local Natives today announce a full European tour for Spring 2013 – including a London date at Scala on 14th February 2013 – following the releaseof their eagerly anticipated second album Hummingbird via Infectious Music on 28 January 2013 (29 January via FrenchkissRecords in the US). Tickets for the UK dates go on sale at 9am on Friday 9th November,with London tickets priced at £13.50 (subject to booking fee), available from www.livenation.co.uk / www.ticketmaster.co.uk and tickets for all dates available fromwww.thelocalnatives.com
Tickets for the London show go on sale at 9am on Friday 9th November priced at £13.50 (subject to booking fee) and areavailable from
The first song to be lifted from the record, a hazy dose of pop splendour called Breakers, is available to stream now via YouTube, and will be released on 7-inch vinyl on 3 December. The band play a short run of small European shows to mark its release, including a show at Hoxton Bar & Kitchen that sold out within minutes, and culminating in a performance at ATP curated by the National on 8 Dec.
LOCAL NATIVES EUROPEAN SHOWS (new dates in bold)
28 Nov Hamburg, Molotow (tickets)
29 Nov Berlin, Comet (tickets)
1 Dec Paris, Point Ephemere (SOLD OUT)
4 Dec Amsterdam, Bitterzoet (SOLD OUT)
5 Dec Brussels, Rotunde (SOLD OUT)
6 Dec London, Hoxton Bar & Kitchen (SOLD OUT)
8 Dec Camber Sands, Pontins - ATP curated by The National (SOLD OUT)
08 Feb Leeds, Brudenell Social Club
09 Feb Edinburgh, Electric Circus
11 Feb Dublin, Whelan's
12 Feb Liverpool, Kazimier
13 Feb Portsmouth, Wedgewood Rooms
14 Feb London, Scala
16 Feb Cologne, Studio 672
19 Feb Copenhagen, Vega
20 Feb Gothenburg, Pustervik
21 Feb Oslo, John Dee
23 Feb Stockholm, Debaser Medis
25 Feb Berlin, Comet Club
26 Feb Munich, Atomic Café
28 Feb Milan, Tunnel Club
01 Mar Zurich, Rote Fabrik
02 Mar Strasbourg, La Laitarie
04 Mar Lyon, Epicerie Moderne
05 Mar Paris, Le Trabendo
07 Mar Tourcoing, Le Grand Mix
08 Mar Antwerp, Trix
09 Mar Zeewolde, Where The Wild Things Are Festival (SOLD OUT)
Tickets for the new dates on sale 9am Friday 9 November at TheLocalNatives.comMuch has happened between the band’s critically-acclaimed debut album, Gorilla Manor, and the imminent release of Hummingbird. Gorilla Manor launched the band onto the global stage, saw them headlining throughout America and Europe, opening for bands like Arcade Fire and The National, and winning them lauded slots at major festivals around the world.
Upon their return home from the road, the band built out a rehearsal space and studio in an abandoned bungalow in Silverlake, allowing them to write and experiment extensively with new sounds and arrangements. Keeping their uniquely collaborative process intact, the band utilized new instruments and songwriting approaches, challenging themselves to grow from the comfort space of their established aesthetic.
The band say Hummingbird was created from the emotional framework of being stretched between two opposite poles. In the two years following Gorilla Manor’s release, the band saw the highest highs and the lowest lows they had ever experienced together. While many of their wildest musical ambitions were coming to fruition, personal relationships faltered or fell apart, and a close family member suddenly passed away. The songs on Hummingbird embody that similar dichotomy – they are fragile and powerful, opulent and spare, tense and poised. When it came time to properly set these songs to tape, the band did their initial tracking in Montreal, and then decamped to Brooklyn, enlisting as co-producer The National’s Aaron Dessner, whom they had recently befriended while touring together. It was the first time they had ever recorded outside their native California, and relocating became the physical manifestation of working beyond what was familiar for them.
Shining opener You & I is the album’s calling card, bathing synthetic drums in warm organs and surfy guitars, and the band’s signature sky-high harmonies. Heavy Feet marries hand claps and sparse chords with a driving snare and one of the most remarkable choruses on the album, while Ceilings sounds like Fleetwood Mac with a dub bass groove. Colombia, written for a member’s mother who passed away unexpectedly last year, is the album’s swollen heart moment, a love letter from a son to a parent which grows in beautiful, orchestral complexity around a simple, plaintive chorus. Like all of Hummingbird, the song carries with it not just a melodic richness, but a quality of catharsis and grace – a moment to be examined and ultimately enjoyed.
