Donovan Woods Grapples With The Need For Human Connection On ‘Without People,’ Out Now (11.6)

Hear Woods' "Simon & Garfunkel-like harmonies" (Parade) ‘Without People’ album now

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A decade into his career and Donovan Woods’ songwriting remains wholly invested in exploring the human condition as he mines small moments to find greater truths. Donovan Woods' new ‘Without People’ album is alive with intimacy and connection at a surreal time when we’re all in desperate need of both. The album is available now everywhere you can find music. Listen here: orcd.co/withoutpeople

Watch a dance interpretation of the album’s “We Used To” performed by Ariana and the Rose, here (out now): youtu.be/4bnN4Nk-NEQ

While created piece by piece from Woods’ makeshift home recording studio and other musicians in isolation from their homes, so much of ‘Without People’’s allure and power is rooted in how Woods connects with his collaborators.Produced by James Bunton and vocal producer Todd Clark (Dua Lipa, Noah Kahan, Phillip Phillips), the album recruits a stellar array of co-writers including Ashley Monroe, Pruitt, Tucker Beathard and more.

From the snippets of warm chatter and lush strings on the title track to the gossamer layers of harmonies on “Seeing Other People”; the aching loneliness of “Grew Apart” to the tenderness of love’s redeeming grace on the evocative Katie Pruitt duet “She Waits For Me to Come Back Down,” Woods captures sentiments about wanting to be alone — until you’re suddenly lonely - and why we so often chase something we’re never going to get. Each song is a reminder that relationships are what bind us, and what matters most is how we treat one another and whether we’re truly listening and trying to understand experiences distinct from our own.

"In the middle of a pandemic as the truth of our environmental devastation sinks in, in the thick of protests reshaping our thoughts on policing and crystallizing the reality of white supremacy at work in all corners of our society, it feels silly to write about relationships," says Woods. "But, what I discover time and time again is that my brain wants to fixate on and examine small moments that may have seemed inconsequential but have ended up shaping my sense of self. So, if we are coming to the end of something (and it feels like we are), I can say that I tried my hardest to write truthfully about the people I’ve loved and the things I did wrong, and add my little verse to the story of what it feels like to be a person, longing for connection, and then longing for solitude, and then longing for connection. All in all, I think the record sounds like the times it was made in: turbulent and lonesome."

Here’s what critics are saying:

“fleeting interpersonal moments now under the microscope” — NPR/KUTX

“like an updated version of Gordon Lightfoot” — UPROXX Indie Mixtape

“Woods sings glowingly” — Billboard

“Woods’ intermittent high-tempo tracks display his dynamic climb to artistry” — American Songwriter

“lyrics that quite simply can break a heart” — EARMILK

"With Simon & Garfunkel-like harmonies coupled with modern musical magic... 'Without People' puts both heartwarming and heartbreaking elements of personal interaction under the microscope" — Parade Magazine

‘Without People’ tracklist:
1. “Without People” (Donovan Woods, Drew Jurecka)
2. “The Last Time I Saw You” (Woods, Jake Etheridge)
3. “Seeing Other People” (Woods, Dustin Christensen)
4. “We Used To” (Woods)
5. “She Waits For Me To Come Back Down (feat. Katie Pruitt)” (Woods, Katie Pruitt)
6. “Clean Slate” (Woods, Jeremy Spillman, Tucker Beathard)
7. “Man Made Lake” (Woods, Ed Robertson)
8. “Interlude” (Woods, Travis Wood, Tom Douglas)
9. “Lonely People (feat. Rhys Lewis)” (Woods, Dustin Christensen, Jessie Jo Dillon)
10. “Grew Apart” (Woods, Wood, Logan Wall)
11. “Whole Way Home” (Woods, Andy Skib, Thomas Finchum)
12. "High Season” (Woods, Ashley Monroe)
13. “God Forbid” (Woods, Robertson)
14. “Whatever Keeps You Going” (Woods, Wall, Femke Weidema)

On Thurs., Nov. 5, Woods performed a livestream benefit concert from an empty Roy Thomson Hall supporting Artscan Circle and Southern Girls Rock Camp, two non-profit organizations that encourage youth participation in music. For more information on Woods, visit donovanwoods.net.

November 9, 2020 8:10am ET by Shore Fire Media  

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