Like all of the best music, Jonny Ong's forthcoming album Isolation started with heartbreak. In 2018, a long-term relationship was disintegrating, prompting him to retreat to his home studio to attempt to make sense of the emotional shrapnel. “When I wrote the album, I isolated myself from the rest of the world,” explains the psych-rock musician. “I was going through a break-up and music has always been my escape. In the past, I've tended to avoid writing lyrics that are personal, but with this, I really went deep into the heart. It's quite dark in places, but there's a lot of hope.”

Latest release, ‘The Ballad of J and J’, is a clear reference to Ong’s love of the Beatles, painstakingly and carefully setting out the story blocks in an autobiographical flowchart of a relationship which went bad. Written in seclusion, there is always an air of mystery to Ong’s work in this album, something secretive that it seems we are privy to in his private rooms as - it feels - we watch him paint pictures for us in song form.

‘Chloe’ is the track about the betrayal of a friend which left Jonny feeling paranoid and double-crossed, something which Ong explores in a James Bond-esque melody and lyrical imagery of a snake’s treachery. It uses majestic, swelling strings, before it throws a dance synth breakdown curveball in but one of many musically adventurous turns in the album.

The album's arresting, distinctive artwork underlines the theme: haunted by the past and grieving a future that could have been, while still determined to forge on and make something creative – even playful – out of it. “It's an astronaut looking into a mirror – and the mirror is a reflection of what his perfect life could have been,” he says of the surreal, eye-catching visuals. “You see me and my ex-girlfriend and our dog. And that was the life I was trying to get back to in this whole isolation period. I think that describes the album quite well.”

Working in tandem with his producer-collaborator Callum Rose, Ong has crafted distinctive, timeless pop songs, where massed strings that sweep you up in their beauty are artfully blended with modern production touches and unexpected stylistic swerves. Underpinning the album’s sound the whole way through is Ong’s love of 60s rock ‘n’ roll; his beloved Beatles can be heard in every chord progression, every lyrical turn.

“I wanted it to feel cinematic,” Ong points out. “That's why I went for a lot of strings and horns.” As such, he worked with virtuoso Cuban-born trumpet and flugelhorn player Yelfris Valdés - known for releasing his own acclaimed retro-futurist albums and collaborating with the likes of Moses Boyd and Madonna – to help put together the intricate string arrangements. “It's that mix of the cinematic, with modern touches influenced from trip hop bands like Zero 7 and Morcheeba. There's also my love of jazz and '60s psychedelia in there,” adds Ong.

With its cinematic sumptuousness, fusion of the classic and contemporary, and songs that unfurl gracefully, Isolation is an album destined to make people feel less alone. “On my previous albums, I've focussed on the handpan – this time, I wanted it to be all about the songs,” he says. “And to realise that if you have something negative in your life, try and do something positive to get over it. No matter what happens, there's always light at the end of the tunnel.”

Isolation is out now.